Pretty Private

Ray Madrigal
2022 - 2024
Time theft and borrowed mechanical pencil on office paper; plaster and iron oxide frame
18 x 13 x 2 1/2 in.
Photo by Mikey Mosher

 

Fear of Losing, Love of Having

work by Ray Madrigal

October 5 – 27, 2024

 

On View Sundays
11 A – 2 P


Opening Reception

Saturday, October 5th
4 – 7 P

Join us in celebration of the opening of Ray Madrigal’s solo exhibition - Fear of Losing, Love of Having

 

Another Thing About Love (I Would Know The Shape Of Her Hands Anywhere, Even In The Dark)

Ray Madrigal
2023 - 2024
Time theft and borrowed mechanical pencil on office paper; plaster and iron oxide frame
10 1/2 x 15 x 2 1/2 in.
Photo by Mikey Mosher

 

It becomes easy to forget how much we need each other.

Intercepted by the market, needs previously met through collaboration have now warped into an endless pursuit of independent preparedness. The dominant ethos is this: take care of your own. You don’t owe anyone anything. Protect your peace. We place our faith in a constant warding off of loss, traceable in the stuff of our surroundings. Abundance is guarded as stockpile.

Then there exists, alongside the kind of safety-making that decays social bonds, a softer method of survival that reinforces them. A sense – in certain queer and nonwhite and broke groups – of mutually generated security. An unpredictable, yet insistent, flow of crowdsourced rent relief; shared meals; clumsy good intentions; homemade air purifiers; the same $20 venmoed back and forth; herbal remedies; moving assistance; living room acupuncture; tenant unions; shared passwords; skin to skin contact… on and on.

Not the ostensibly eternal stability of a house in your name, but a safety conjured up moment to moment, spell-like. A space you might step inside and learn to recreate.

Fear of Losing, Love of Having probes our daily attempts at safety-making, dysfunctional and humane alike. The show is a material hypothesis of noticing as resistance, of slowness and widened eyes as crucial tools in the creation of gentler futures.

Rather than positing an answer, the works within hold up objects, moments, and efforts like flash cards, images connected to questions: How did this way of life come to be? Who decided it so? And how might we nudge our collective reality towards more humane, more loving methods of safety-making?

 

Another Thing About Love (I Would Know The Shape Of Her Hands Anywhere, Even In The Dark), detail

Ray Madrigal
2023
Time theft and borrowed mechanical pencil on office paper
8 1/2 x 11 in.

 

Ray Madrigal (b.1999, Sacramento, CA) is a third generation chicanx lesbian and maker in many mediums. Their work is concerned with worldly details, and how elements of the everyday might be studied to the benefit of vibrant queer survival. As a descendant of immigrant farm laborers, Madrigal strives to take nothing for granted in an increasingly unlikely life. 

Madrigal holds a BFA from the School of the Art Institute of Chicago, and was named Home Depot Associate of the Month at store #6675 from October 2020 through February 2021. Their work has been featured by the Corning Museum of Glass in New York, The National Museum of Mexican Art in Chicago, and the Brownsville Museum of Fine Art in Texas. They currently live, work, and play in Chicago, IL.

@raymadrigalmakes

 

Cornerstone

Ray Madrigal
2022 - 2024
Speaker, pillow, soundscape
Dimensions vary

 

Related Programming

Unpredictable, Yet Insistent: An Evening of Mutually Made Music

Sunday, October 20th
8 - 10 P

In conjunction with October’s featured exhibition, five music makers will spend an evening creating an unscripted soundscape. We invite you to step inside this softened space, one produced out of mutual intention and a possibility for trust – a living meditation on collaborative and intangible safety.