Map of the clouds just now

Sheldon Till Campbell
2023
Gouache on folded paper
14 x 16 in.

 

certain places

work by Zulkhairi Zulkiflee and Sheldon Till–Campbell

June 1 – 30, 2024

 

Saturday viewings, hosted by artists
June 15, 22, 29
11a – 4p

on view Sundays
11a – 2p

 

The World Rolled off His Tongue

Zulkhairi Zulkiflee
2024
Collage on Aquafine paper
8.3 x 11.7 in.

 

Opening Reception

Saturday, June 1st
4 – 7 P

Join us in celebration of the opening of Zulkhairi Zulkiflee and Sheldon Till–Campbell’s exhibition, certain places. 

 

Adoration of the Station

Sheldon Till Campbell
2024
(Work in Progress) miniature model
14 x 19 x 6 in.

 

In negotiating a sense of place, Zulkhairi and Sheldon navigate imaginary terrains through the interface of the formal and pictorial, where landscapes are in constant motion.

Sheldon’s analysis of the Midwest oscillates between attentive presence and abstract detachment. Often his formal explorations resonate with the Regionalist tradition in American art, where he attempts to complicate and expand the existing visual shorthand for the region. His work calibrates a vision that grows out of his Midwestern upbringing, an approach that is simultaneously invested, critical, and uncertain. Through attention and slowness, Sheldon’s explorations generate a quiet space that hovers between desire and dislocation. 

In Zulkhairi’s current exploration, he attempts to make sense of relocation and negotiate a new sense of place. Through the search for familiarity, he seeks company in historical knowledge like the Java Village from the World Columbian Exposition. In this process, Zulkhairi introduces pavilion-shelters as a conceptual conduit to notions of rest and storytelling, in particular, the concept of 'world' — a confabulatory framework devised by the artist and derived from a Singaporean-Malay slang used in bilingual speech of World English variety.

 

Pavilion as Monument Series

Zulkhairi Zulkiflee
2024
Collage on Aquafine paper
8.3 x 11.7 in.
3D printed pavilion and book (Sorak of the Malay Jungle by Harvey D. Richard), Dimensions Variable.

 

Zulkhairi Zulkiflee (b. 1991, Singapore) is an artist-curator committed to exploring Malay identity and its social ontology. His lens-based artworks unpack such structures in relation to local and global contexts, particularly through the racialized body as a conduit. Previous exhibitions include SG Contemporary, Gajah Gallery, Jakarta, Indonesia (2023); Der Greif: Past & Present, Munich, Germany (2023); Vantage Point Sharjah 10, Sharjah, United Arab Emirates (2022) and Expo 2020, The Singapore Pavilion, Dubai, United Arab Emirates (2022). Zulkhairi was a recipient of the IMPART Awards (2020), the Objectifs’ Curator Open Call (2019), and recently, The Fulbright Student Award for graduate studies in the U.S.

@llzhzg

Sheldon Till-Campbell (b.1993) is a Chicago-based artist whose work uses landscape, conversation, and drawing-based drift as tools to question how we inhabit. Sheldon grew up homeschooled in Kansas City, MO, and has a particular interest in the American Midwest as a regional identity and context. He has participated in numerous exhibitions including Heartland, Dream Clinic, Columbus, Ohio (2024); Communidad/Identidad, Walford Galleries, Wheaton, Illinois and Miniprint, Oaxaca, Mexico (2022); INT’L Paperworks, Minot State University.

@sheldontillcampbell